DIGITAL AUDIO VISUAL PROJECTS |
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![]() SELF-KARAOKE MACHINES
The Self-karaoke Machine is a generative system for collaborative improvisation which has been used for both live performances (with cello) and as an installation for public consumption. The project is placed squarely at the intersection of the generative arts and improvised interactive computer music and aims to show how aspects of the two practices can be mutually complimentary. As a performance system, the investigative aim was to explore whether the simple adaptive systems previously explored can stand up in a live performance situation: whether despite their complete lack of musical 'knowledge', their formal behaviours can be implemented in such a way as to provide inspiration to the performer and engage the au- dience with a convincing man-machine collaboration. The artistic aim was to unite the artificial and the acoustic and explore the meeting point of digital generative practice and instrumental improvisation.
![]() FOND PUNCTIONS
Fond Punctions is a performance which uses the Self-karaoke Machine. The performance aimed to present a sense of collaboration between me, the cellist, and the digital system. The program was designed to explore the potential of simple adaptive systems in live performance and by extension to examine what forms of interaction are engendered. The desire to be able to perform solo electro-acoustic gigs (i.e. with no-one at the helm of the laptop) laid down a number of additional practical constraints which influenced the system design.
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Algorithmically the system is based on two distinct but interacting systems: an Ashbian homeostat and a simple physics simulator which describes the motion and collision of floating particles. Both of these models act to parameterise a granular synthesis engine which operates on samples taken by the player during a performance and determine the movement of objects in the video display.
Full details can be found in chapter viii of my thesis.
![]() SELF-KARAOKE PONDSelf-karaoke pond is an installation which is based on a modified version of the system which is used in fond punctions performances. Visitors use a microphone and games controller to record samples which are spliced and remixed by a generative system comprising a homeostatic network and some simple collision-motion equations to control a granular synthesis engine. These models also control the projected graphics, abstract cellular formations which appear as samples are recorded. ![]()
Full details can be found in chapter viii of my thesis.
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