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2012
A.Eldridge(2012) The Poetic Power of Generative Sound Art for an Information Society in Proceedings of the International Computer Music Conference 2012, Slovenia2009
J. McCormack, A. Eldridge, P. MciIlwain and A. Dorin (2009) Generative algorithms for making music: emergence, evolution and ecosystems, in The Oxford Handbook of Computer Music and Digital Sound Culture, Dean R.T. (ed.), Oxford University Press, chapter 18
A.Eldridge and A.Dorin (2009) Filterscape: Energy Recycling in a Creative Ecosystem in M. Giacobini, et. al. (eds): EvoWorkshops 2009, LNCS 5484, 2009
*** Winner of the Best Paper Award ***
O. Bown, A. Eldridge and J. McCormack, (2009) Understanding Interaction in Contemporary Digital Music: from Instruments to Behavioural Objects. In Organised Sound 14(2), pp. 188-196 August 2009
A. Eldridge (2009) Review of The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. J. Romero and P. Machado (Eds). 2007 Springer-Verlag. in Artificial Life 15:2 pp 255 - 258
2008
A.Eldridge, A.Dorin and J.McCormack (2008) Manipulating Artificial Ecosystems. Proceedings of the EvoMusArt Workshops 2008, in M. Giacobini et al (eds), Applications of Evolutionary Computing, LNCS 4974 Springer-Verlag, Berlin Heidelberg. pp 392 - 401
2007
P. Husbands, P. Copley, A. Eldridge and J. Mandelis (2007)
An Introduction to Evolutionary Computing for Musicians in A. Biles and E.R. Miranda (Eds) Evolutionary Computer Music. Springer. Berlin.
DPhil Thesis
Collaborating with the Behaving Machine: Simple Adaptive Systems for Generative and Interactive Music.
2006
A.Eldridge (2006) Issues in Auditory Display. Artificial Life (12) 2 pp 258 - 274
2005
A.Eldridge (2005) Cyborg dancing: generative systems for man machine musical improvisation
Proceedings of
third Iteration Melbourne, Australia 2005. pp 129 - 141
A.Eldridge (2005) Fond Punctions: Generative Processes in Live improvised performance
Proceedings of
Generative Arts Practice Sydney, Australia 2005. pp 41 - 51
A.Eldridge (2005) ExtraMusic(ologic)al Algorithms for Automated composition. In Rothlauf, F. et al (eds) Evomusart workshops 2005, LNCS 3449, Springer-Verlag, Berlin: Heidelberg. pp 557 - 562
2002
A.Eldridge (2002) Adaptive Systems Music: Algorithmic Process as Musical Form. Proceedings of Generative Art Milan, 2002.
Unpublished Papers
Adaptive Systems Music
MSc Thesis 2002
An Ashbian Homeostat in Simulation
Optimal Mutation Rates and Recombination: The effect of population size and gene length
Does Computational Neurosciencehave a Future in Helping to Understand how the Brain Works?
To what extent is embodiment necessary (or sufficient) in furthering our understanding of complex adaptive behaviours?
On the Role of Artificial Life Simulations in Science